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For the first true modern cartoon of the story, however, we have to wait until 1908 when the French Emile Cohl gave life to the character of Fantoche, small clown star of "Fantasmagorie". This first example of a complete cartoon had a short duration, only a couple of minutes, but the work he had requested had been long and elaborate: about 3 months of work. It was composed of 700 drawings on white paper with black ink that were developed in a negative to create the chalkboard effect, according to a technique that had been used two years earlier. Cohl, however, has never filed the patent of his invention, but he always worked alone and this, of course, meant that it was passed by the American technology that was inspired by his creations during his stay in that country. Despite his important invention, he died in poverty and without any acknowledgment, although in recent years has been mentioned several times: in 1988, the year of the 50th anniversary of his death, with an exhibition in his honor in Montreal; and on occasion at the Annecy Animation Film Festival. Emile Cohl realized in total 300 films.

A quieter life had, however, Max Fleisher who, along with his brother Dave, in 1914, invented the technique of rotoscoping. The invention was patented only the following year, and guaranteed a return appearance of the characters and the effect of greater movement. The images of the cartoon were first photographed and then projected onto a transparent panel, at this point the frames were modeled giving a vision comic style, but highly realistic. With this technique, the two brothers, originally from Poland, but arrived in the United States very young, many animated characters that became very popular and still are today, as Betty Boop and Popeye (1930-1933). The series when it was mainly used the Roto with impressive results for that period was "Out of the Inkwell", produced from 1918 to 1929. The cartoon used the so-called "mixed media", the technique of their real actors and animated characters could interact and "play" together. In the case of the series produced by Max Fleisher's main protagonist is Koko the Clown, coming out of an inkwell, or came to life after being drawn on the sheet of paper and interacted not only with its designer, but also with objects and animals. The origin of Koko the Clown is quite particular because the prototype used to achieve it was Dave Fleischer, that his brother had photographed his clown suit to test his invention.

The Cartoon HD App was a huge success and underwent several changes over the years, often changing the protagonist's name (at the beginning it was called "The Clown" then Fleischer's Clown "and in 1923 Ko-Ko and took his final appearance) up you get to 1924 when its inventor introduced a new series but, above all, the use of sound. If "Out of the Inkwel" was a great success among the American public, the true masterpieces of the Fleischer brothers were "human" characters: the seductive Betty Boop, created in 1930, and the strongman Popeye (Popeye) which made the He first appeared three years later, in 1933 in a short of Betty Boop. The latter was a real novelty for the audience with his highly erotic charge even mixed and partly tempered by a great self-irony. Life film of fashionable girl with short period of jazz hats and the skimpy clothes lasted only nine years, from 1930 to 1939. His seductive charge and irreverent, but also the fact that suggested clearly a popular singer of those years, Helen Kane, for voice as a child he had (so much so that in 1932 the Kane sued Fleischer for having exploited his image and his personality, but losing it), did not allow its continuation following this style of representation. So in 1934, because of the protests of the conservative and the public application of a code of laws regulating the film production in America, Betty Boop was forced to wear more clothes and punished to take care of household chores and animals loses, of course , its appeal and the interest it aroused, so much so that in 1939 it was discontinued the series.